Tag Archives: つげ忠男

Uki – TSUGE Tadao

A chapter from Garo 1969-08.

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Some time ago, a group of punks ruled the street. Years pass, and two of the punks get together again, one of them being the former leader. They reminisce about the old days. Time has not been kind to them, and the leader wants a bar to sit down at and talk. But, the younger one doesn’t understand what the deal is. The younger one also suddenly gets sick and throws up. The leader comments on the smell of blood on him, and the younger one answers that he’d been working at a shop carving up body parts for medical analysis. It’s a horrible job and he can’t do it any more. The two of them nervously talk around various subjects and the leader finally gets them into a secluded bar. His ulterior motive to to show this nasty growth or wound over his right shoulder blade and upper back. He tells the younger guy to touch it and it feels cold. Another customer at the bar laughs, but quickly looks away. The two leave the bar and head for an unprotected rail crossing where one of them had witnessed a suicide years before. They stand there, thinking about how the town changed, how they don’t fit in any more and how convenient it would be to end everything. The last train of the night comes barreling up, and it looks like they decided not to stay in the middle of the tracks after all.

Ninin sankyaku – Tsuge Tadao

A magazine-only oneshot from Garo 1970-01

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Two guys working at a factory share the same room in an apartment building to save on rent. The hero gets disgusted at the behavior of his roommate, and escapes to the factory to take a shower. The water of the communal bath is too cool, so the hero works on the boiler to bring the temperature up, but with little success. While the rest of the workers bathe, the hero plays cards with two friends, and talks about the bad behavior of the roommate. The hero wins the game and leaves to take his bath. The roommate stumbles in, stinking drunk, and makes a mess of the bath. At the end, the hero tells the roommate that he’s horribly disgusting, and the guy just stands there staring, drunk and with vomit running down his chin.

Uki #2- Tsuge Tadao

A oneshot from Garo 1969-10.

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This story is largely unrelated to part 1. The art is cruder, and it looks much more amateurish than before. The basic story is that a woman running a drinking room and her friend are joined by a customer. They talk for a while and it becomes obvious that the mama-san (female bar owner) is preoccupied. The friend and the customer talk her into explaining what the problem is. Turns out that her adult daughter had been seduced by a street thug (presumably the one from part 1), and had disappeared for a few days before suddenly coming back home. When the daughter had first tried to move in with her “boyfriend”, the guy’s thugs had threatened her into turning tricks for them. At this point in the story, the friend and the customer get embarrassed and tell the mama-san that they’ve heard enough. The story ends with the approaching storm building up and getting stronger.

Sousaku – Tsuge Tadao

A oneshot from Garo 1969-05.

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In this story, a man that has parts of his memory missing finds his way to a newspaper office where the editor and one reporter had been spending months trying to find him. Between them, they try to piece together exactly what the guy, Taguchi, had done, and why. Initially, he’d been an accountant for a large company, and one day he found himself the only one in the office, handling the upcoming bonus money. Since the bonuses were all handed out in cash at that time, Taguchi found himself in possession of more money than he’d ever dreamed of. He packed it up and skipped out that night. From here, his memory gets sketchy. He remembers being attracted to steam locomotives because he’d never seen one. He travels around, staying at small hotels, wearing a mask, and hanging out at a strip bar. The problem is that the account dug up by the reporter doesn’t jive – he doesn’t remember the mask, or the small hotels. At one place, he remembers a clear day, but the reporter arrived at about the same time and it was snowing heavily. When the newspaper needed help for leads, they’d contact Mrs. Taguchi. Again, the details don’t jive.

The reporter talks about Taguchi’s meeting with one particular stripper, and how when he tried to have sex with her he’d failed miserably and she’d laughed at him. Taguchi thinks the guy’s just making this up, and the reporter sniffs that he works for a real newspaper, not some cheap daily rag. The editor asks if Taguchi wants them to believe that he has a double somewhere that has been doing these things in his name. The editor stops, commenting that that’s an angle they’d never considered before. In any event, the editor asks Taguchi to write down whatever he can remember, and the guy refuses, saying that he can’t. He comments that what he remembers and what other people say he did makes him feel like he only exists on paper. He hands his own notes over to the editor, saying that he’ll think about it more then leaves. The editor asks what the reporter thinks, and he answers that there’s a good chance that Taguchi will disappear again. The editor considers this, that there’s no guarantee for Taguchi coming back, and lights up the reporter’s cigarette, thinking.

Shouwa-go Eika – Tsuge Tadao

A oneshot from Garo 1969-04.

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This one is a simple story of a poor family post-war trying to survive. The main character is the youngest of 3 brothers. The older two have moved out and found jobs, while the youngest one still lives with his parents and his mother’s father. It’s basically a story of abuse. The grandfather waits until the boy’s mother looks away, then takes a swipe at him with a pair of iron tongs, or rips off some of his hair. When asked why the old man does this, the mother is told that it’s actually a way to keep the boy’s father from doing something even worse. The father has come down with some kind of illness and spends most of his time in bed. Finally, things come to a head when the two older brothers visit the house and notice that a neighbor’s house is on fire. The youngest boy wants to go outside with them, but the father barks out that he has to stay and eat dinner with him. The boy doesn’t immediately behave, and the father punches him in the nose and draws blood. The grandfather gets in the act, along with the mother, and soon they’re at each other’s throats. When the dust settles, the wife is holding her husband back, and the oldest brother is restraining the grandfather. The father disowns everyone, then starts coughing up blood, but refuses to see a doctor. The middle brother runs to the hospital to get someone, and the youngest one escapes the house to lose himself in the frenzy of the nightlife in the red light district.

One interesting element in this story is that one of the characters notices Sabu walking around the streets (Sabu was featured in an earlier story by Tadao).

Ryoukichi  Seigan no Haisou – Tsuge Tadao

A oneshot from Garo 1969-03.

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Seigan is a manager at some company who is facing retirement. Tadao starts out by pointing out Seigan in a company photo, mentioning that he liked to take long walks to relax. The story basically shows Seigan at work and at home, with occasional flashbacks to the reconstruction period following the war. Tadao joins the company just before Seigan’s retirement party, and during the party notices that Seigan is looking pretty lost at what to do next with his life. After the drinking, the two of them wander around the streets, and Seigan decides to push forward despite it all, which Tadao turns into meaning that they should try running up the big hill they’re on. Tadao quickly gets winded, and when he yells out to Seigan to stop with the joke already, the old man ignores him and continues wheezing uphill.

Garo wo Kizuita Hito-bito – Manga 30-nen Watashi-shi – Gondou Susumu

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Book of essays on various Garo artists.

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Author: 

権藤晋

鋭さとやさしさをあわせもつ作家
1 白土三平 

SHIRATO Sanpei


豪快さと繊細さがないまぜに
2 水木しげる 

MIZUKI Shigeru


寡黙 * 寡作、天才肌の純マンガ作家
3 つげ義春 

TSUGE Yoshiharu


苦闘の末の一八〇度の転換
4 滝田ゆう 

TAKITA Yuu


時代の暗部を照らした作品群
5 つげ忠男 

TSUGE Tadao


白土三平さんの 「革命的宣言 」 に応える劇画正統派作家
6 池上遼一 

IKEGAMI Ryoichi


豊かな知性と戦闘的諧謔の精神
7

佐々木マキ  

SASAKI Maki


人間の哀しみや不安の極北を暗示しつつ
8 林静ー 

HAYASHI Seiichi


一、ニ、三、の吉祥寺グループプラス
9 鈴木翁二と三橋乙揶 

SUZUKI Oji  

MITSUHASHI Otoya


雄弁家石子順造さんと編集部の人々
10 『ガロ』 のぅちそと
自虐的で孤独な女〃名美〃の世界に浸る
11 石井隆 

ISHII Takashi


不遇にして創作欲旺盛な天才肌の少年
12 菅野修 

KANNO Osamu


シャープでなお軟らか、洗練された都会風の画像
13 伊藤重夫 

Itou Shigeo


焦燥感と孤立感に苛まれつつ、志半ばにして……
14

羽鳥ヨシュア


年代、マンガ界でもっとも期待された作家
15 湊谷夢吉 Minatoya Yumekichi
「ぁとがき」 にかえて
装丁小林健三

本書は1970年前後、著者とともに『ガロ』に情熱を傾け、時を経ずして中堅作家と認められていった作家たちの著き姿を、出会いから始まり、個々の作家の作風、日常のエピソード、そして性癖や人となりまで、表現豊かに、肌理細かく描いている。